Comics

You are currently browsing the archive for the Comics category.

There’s a new 10th anniversary edition of Dylan Horrocks’ “Hicksville” coming out!

You can read more about it here - Newsarama.com : Dylan Horrocks Welcomes Readers Back to HICKSVILLE.

And there’s a book launch and exhibition for it on Friday, 19th March, here in Auckland. See Hicksville at the High Seas! « Hicksville Comics

I loved ‘Hicksville’ (Greenflame · Mapping the land and ourselves and Greenflame · Dylan Horrocks on comics, games and world-building) but I have never gotten around to purchasing a copy. Looks like this might be the time, though given how much I’m out of home in the evenings and weekends for work things at the moment, I’m not sure I’ll be able to get to it.

Over the past year of so I’ve become quite interested in the whole ‘warrior nun’ figure in contemporary comic book. From The Magdalena and Warrior Nun Areala through to more recent The Sisterhood. While they tend to follow the standard superhero formulae (including ’spandex’) there are the odd moments where some interesting religious/spiritual material gets dealt with and also novel ways that religious symbols are appropriated.

Finding back issues of these kinds of comics is pretty hard here in NZ - I’ve picked up some at events like Armageddon - some I was interested to read that there was a new series of The Magdalena coming out soon.

As part of that there was a recent interview with the co-authors of the series, Ron Marz and Nelson Blake, about what they plan to do with the series. (See Newsarama.com : The Descendant of Jesus Christ Fights in TOP COW Ongoing Series).

In the interview, Marz says,

Well, hopefully nobody thinks this is going to be a theology text. The book is still about a kick-ass chick in a cool costume fighting monsters. But we’ll definitely touch on matters of faith, and the role of organized religion in the world.

So I guess it’s business of usual there.

You can also see some of a past Magdalena story over at: Tied in with that is

Newsarama | Ron Marz/Ryan Sook’s Full MAGDALENA Story FREE! Page 1

(I wonder if any of the nuns I know have an assortment of ninja weapons and equipment?)

A quick list from Newsarama site of movies coming out this year using comic books as their original source material. Newsarama.com : Comic Book Movie Decade - the Next 365 Days.

As noted around the web with Disney’s acquisition of Marvel, Warner Bros. and DC have some significant challenges facing them - though it looks like we might finally get Wonder Woman and the Flash on the big screen because of it. (See Newsarama.com : MARVEL VS. DC - AT THE MOVIES)

Of course, we’re all waiting for 2011 and the Green Lantern movie.

If you liked Dr. Horrible’s Sing-Along Blog and you like comic books then you might be interesting in this coming out from Dark Horse - Dr. Horrible (one-shot).

You can read an interview with the writer over at Newsarama.com : [Zack] Whedon’s DR. HORRIBLE: DHC’s Latest One-Shot Wonder.

A while back I wrote a piece for Candour, a Presbyterian eZine, on some of the different ways religion and comic books interact. A few months later I needed to lecture in that area for my Bible in Popular Culture course, and so had all the notes prepared. I love it when a plan comes together.

The article looked at:

  • How biblical material gets directly transfered to graphical media. (e.g. a graphic adaptation of a gospel)
  • How spiritual and religious material might occur in ’secular’ comic books.
  • How comic book material might be used for tracts and polemics, and to support a faith-community.
  • And finally, how the comic book format might be used as a theological or spiritual source (e.g. wrestling with theodicy).

The next step would be to take each of these sections and turn them into academic articles in their own right. I always wanted a job where I’d get paid to read comic books :-)

Picked up some good materials at Armageddon at the weekend to help with this.

I don’t know if something like this (In-App Sales and iTablet: The Killer Combo to Save Publishing? | Gadget Lab | Wired.com) would work, but I really like something like that to buy and read comics and graphic novels on. If the screen was the same size as a printed comic book page and in colour then I’d be first in line to buy one. (Plus I wouldn’t have to worry about the plastic bags etc. for keeping the comics in).

Some random pop culture links while I’m clearing out browser tabs.

Firstly, I’m really wondering how this comic book crossover is going to work. ‘Truth, justice and the American way’ and American superhero icons meet THE 99, a comic book which aims to provide Muslim and Arab youth with culturally-relevant heroes whose superhero strengths, actions and virtues personify each of the 99 qualities that Muslims believe are the attributes of God.

More details at:

Secondly, an interesting short article on vampyr lifestyle - see Fangs for the memories - Religion and beliefs - NZ Herald News

Thirdly, Evangelicals In the Star Trek Universe | internetmonk.com (HT to James at Exploring Our Matrix.

And lastly, My iPhone’s bigger than yours - cartoonist Michael Leunig’s take on technology.

Part 1 of an interesting interview on the comic book character ‘Robin‘ and sidekicks in general. I’m looking forward to Part 2.

See Confessions of an Aca/Fan: Boy and Girl Wonders: An Interview with Mary Borsellino (Part One).

See also: Project Girl Wonder

A Softer World

I stumble across A Softer World. The strips are an eclectic mix, and often dwell on death and grief, but there are some thought provoking strips in there.

Way, way back I started reading the late Robert Jordan’s “Wheel of Time” series. Probably back in 1991, I think. Anyway, I liked some of the series premises, even if I couldn’t stand how most of the latter books dragged, increased the number of extraneous ancilliary characters, and never appeared to be heading for a conclusion. I was hoping they’d be a final volume to wrap it all up - but with the sad event of Jordan’s death and then the subsequent author’s work on the series makes it looks like it’ll be three more volumes!.

Some I’m intrigued to see how this comic series will work - Newsarama | Preview: Wheel of Time: Eye of the World #1. Could it really take 28 years to get through the story in comic book form?

I also loved the one-shot introductory issue #0 of Dynamite’s Buck Rogers, so this looks like it might be worthwhile picking up for a while to see where it goes. See Newsarama | First Look: Dynamite’s Buck Rogers #1

An interesting short story giving a spin on Superman. See Last Son of Tomorrow by Greg Van Eekhout.

Looks like another comic to add to my religious comic mini-collection. In this case it’s Mark Millar’s American Jesus. You can read an interview with Millar over at Newsarama.com : American Jesus: Book of Revelation Told in Comic Book.

A preview of the comic can be found here: Newsarama | FULL ISSUE - Mark Millar’s American Jesus Vol. 1: Chosen

americanjesus_cover.jpg

Newsarama.com : Could Kindle Kill Comics? e-Reading Devices Cloud Future raises some of the possibilities (positive and negative) digital comics as a product for readers like the Kindle might bring.

I enjoyed Justice League: The New Frontier so this looks promising Newsarama.com : Warner Bros Announces Green Lantern: First Flight.

And, seeing GL on the big screen looks like it might be getting closer too - Newsarama.com : Warners’ Green Lantern, Jonah Hex Get Release Dates.

I’ve been meaning to get hold of "Batman Gotham Knight" for a while now. It’s a collection of Batman short stories animated and interpreted by different anime creators, similar to the "The Animatrix".

Henry Jenkins has some thoughts on whether it qualifies as true transmedia storytelling over at Confessions of an Aca/Fan: The Many Lives of The Batman (Revisited): Multiplicity, Anime, and Manga

8548_400x600.jpg
Next year I’m teaching the general education course The Bible in Popular Culture (in which I can indulge my love of comics etc. and be paid for it), so I’ve been checking material to add the that which previous lecturers have used. A while back (Greenflame · More comics and religion) I noted that there were some recent Superman stories that explored religious aspects of the character, and this week I’ve gotten around to reading the recent trade paperback that put several of them in one volume.

Superman: Redemption by Kurt Busiek and Fabian Nicieza collects three stories - one about a woman who sees Superman as her personal angel of judgement, another about what happens when fundamentalist religion and superpowers mix, and a third that continues the DC universe’s development of the nature of Hell. The last story didn’t really work for me - it felt a bit clumsy (compared to some of the Sandman or Spectre material that intersects the DC universe) - but the other two stories were worth looking at. I’ll try and buy the TPB for my own collection of such things next time the comic shop has a sale.

A colleague returned from SBL in Boston with a copy of Steve Ross’ Blinded for me. It’s a graphic interpretation of the Acts of the Apostles from Saul/Paul’s perspective, but as with Ross’ previous graphic novel Marked this one remixes the 1st century Mediterranean world with contemporary imagery and settings. The retelling creates quite a different perspective on Paul than some (many)people would be comfortable with (and also with some of the other figures from Acts), but then that’s what this style of work is all about - taking a story, interpreting it graphically, and creating a paraphrase that challenges the reader. Definitely worth a look if you’re interested in the interaction of popular culture and religion.

 

See also: Greenflame · The Bible - Graphic interpretations

Excellent. I’m all for different ways of getting people to think about things and this looks interesting: How Comics Can Save Us From Scientific Ignorance

Related links: Greenflame · Action Philosophers!

Haven’t had too much time recently for leisure reading, let alone trawling the library for various graphic novels, trade paperbacks and other items of interest. Normally, I’d read on the train but I’ve had to drive into work much more this semester and what time I have had for reading on the train has been spent in part reading journal articles or reading material for courses I’m teaching.

That said, I have managed to read a few lately and here are some random thoughts about them.

Rex LibrisFirstly, I managed to track down a copy of “Rex Libris: I, Librarian” by James Turner. Think Indiana Jones meets Mean in Black meets the library. So librarians are actually highly trained agents of a secret organisation that seeks to promote and protect human civilzation, and will go to great lengths to promote that agenda. The mild mannered librarian is just a front, and patrons (from as far away as outer space or spirit realms) will be pursued by ‘armed and dangerous’ librarians for the overdue books etc. The humor is dry, there’s some interesting philosophical discussion at points, and it works well in the black-and-white vector format. Definitely work a look at.

You can find out more at:

BlanketsI’ve also just finished Craig Thompson’s graphic novel “Blankets”, which is possibly the longest graphic novel I’ve ever read (582 pages!). It’s basically an autobiography by Thompson describing his childhood growing up in American fundamentalism/evangelicalism, his first love, and his early adulthood. It’s hard work in places, and Thompson’s art isn’t always to my liking, but it’s a very good example of using this format to tell a story.
More information over at:

Watchmen
Also, in anticipation of the movie coming out next year I’ve been reading Alan Moore’s “Watchmen”. Credited as one of the most significant graphic novel/comics ever produced, it’s far too complex for me to describe here. (See description over at Watchmen - Wikipedia). It will be interesting to see if the movie is true to the book’s alternate American history set in the 70/80s Cold War, or whether it is revisioned for the contemporary world. My other concern is that the book is really intellectually engaging - whether that comes across in the movie remains to be seen. This is as much a deconstruction of the popular superhero mythos as a critique of Western values. You can look at the film trailer over here.

51Ccids0Vcl. Sl75 Finally, I also read “Infinite Crisis”, in the vague hope it’d clear up some confusion over the current state of the DC comics universe(s). Didn’t work for me - to disjointed and definitely not as good as it could have been.

After listening to Steve’s presentation on River as a Christ-figure in the movie Serenity, I felt inspired to walk up to Heroes for Sale and grab the last two parts of the latest Serenity mini-series “Better Days” from Dark Horse comics.

Suffice to say I was disappointed. The story seemed to drag, some of the characterisation and language seemed “off”, and it didn’t really grab me like the first mini-series “Those Left Behind” did. Plus, there’s the sense of “dead men walking” if you’ve seen the film. Still, it is Serenity (and walking up the hill to the shop did clear my head of conference ‘fug’ and stretch my legs after a day sitting listing to stuff).

I also picked up the next issue in Image Comics “Transhuman” series - which deals with venture capital funding in this issue. It’s okay, but again the previous issue was much better.

15190 1346913470Transhuman02 Cover

See also:

Greenflame · Serenity: Better Days
Greenflame · Transhuman - The comic mini-series

Justice League The New FrontierJust finished watching Justice League: The New Frontier DVD borrowed from the local library, which is the animated movie of Darwyn Cooke’s “The New Frontier” detailing the formation of the Silver Age Justice League. I enjoyed it, and especially so because it dealt primarily with the characters of Green Lantern (Hal Jordan), Flash (Barry Allen) and Martian Manhunter (J’onn J’onzz) rather than the normal Trinity of Superman, Batman and Wonder Woman.

The artwork style is very much 1960s, and for the comics enthusiast there are all sorts of cameo appearances and background details to note. And while it’s animated superheroes the plot and content (for example, the shades of grey in politics) are definitely geared for an audience above children’s level (The rating on the the DVD here is “M”). As the Line of Fire review noted below states: “This is a fine film, definitely geared towards adults, a little too violent for the kids, but for anyone who ever loved superheroes, you will find an appreciation of this film.” However, for audiences outside of the US there will be a few moments where the elements of the story may not resonate as strongly as they might for those brought up in the US context.

Related links:

Justice League: The New Frontier - Wikipedia, the free encyclopedia

Justice League: The New Frontier DVD Review - Line of Fire Reviews - Comics Bulletin

Absolute DC: The New Frontier HC Review - Line of Fire Reviews - Comics Bulletin

A while back I saw the graphic novel “The Homeless Channel” being mentioned around the net. Part satire, part social commentary, part something else, the story is based around a cable reality TV show that provides 24 hour coverage of the homeless people in the city and the lives of people that intersect with that TV show. It sounds intriguing, and quite different from any other graphic novel I’ve seen recently. I’m going to try and see if I can get hold of a copy.

Comics Bulletin has a couple of pieces related to it: The first is an interview with the creator, Matt Silady, while the second is a review of the novel.

  1. Matt Silady’s Homeless Channel: Not Just Basic Cable: Interviews & Features Archive - Comics Bulletin
  2. Homeless Channel Review - Line of Fire Reviews - Comics Bulletin

The creator, Matt Silady, also has a preview of the novel and a movie trailer of the story.

“Rapture” theology, and indeed the broader category of ‘apocalyptic’ that it sits within, lends itself to dramatic, visual imagery that can be picked up by comics books. The latest of these, Armageddon Now: Word War 3, is about to hit the shelves (if it hasn’t already). And as with many of these things it juxtaposes contemporary world-events with a particular (often loose) interpretation of apocalyptic biblical material. The way things are portrayed you get the impression that many would like to be ‘left behind’ so they can go to town with extreme armament and fight their way into the pearly gates.

You can see the main web site for comic over at: Welcome to - Armageddon Now: Word War 3

There’s an interview with one of the creators of the comic here at NEWSARAMA.COM: ROB LIEFELD GETS BIBLICAL.

Related links - Greenflame · Once Upon a Tribulation

Serenity-BetterdaysFor those of you who are suffering from needing a Serenity or Firefly fix, then Dark Horse’s Firefly/Serenity mini-series “Better Days” is now out. I picked up issue 1 the other day, and it’s a good read if you’re a fan-boy or girl. Actually, it’s a good read for a comic in general - I’ve read some not so good comics recently from the library’s trade paperback/graphic novel selection. If you can do the character’s voices in your head while reading then it really rocks.

More details over at Dark Horse Comics > Profile > Serenity: Better Days #1 (of 3).

Oh, and I see the “Star Gate: The Ark of Truth” is already out on DVD in NZ. Seeing as I’m still finishing off Season 9 of Stargate SG-1 it’ll be a while before I get there, but it’s nice to know it’s waiting for me. Just like I’ll get to “Battlestar Galactica: Razor” when I’ve knocked the last few episodes of Season 3 off. I must admit I’m struggling to be enthralled with the end of BSG season 3 maybe it’s better watched one episode per week rather than three episodes at a time. Currently, I’m trying to avoid Season 4 spoilers - which seems to be harder than it should be - people keep putting them in their blog posts without spoiler warnings!

Transhumancomic1Picked up the first issue of Transhuman from Image Comics yesterday. It’s a four-part mini-series in a documentary format set in the not to distant future and deals with the initial commercial forays into commercialising technologies to produce ‘off-the-shelf’ human self-modification of a transhumanist nature. I thought the first issue was quite good, and offered some insight into the commercial agendas of biotechnology often glossed over in the transhumanist literature. I’ll be interested in where the series goes.

The comic made it onto the transhumanist-related Institute for Ethics and Emerging Technologies blog. See IEET - Transhuman, the comic, which includes a link to some sample pages from the issue here.

Various reviews of the issue can be found at:

A brief but useful article on care of comics. See Store Your Comics Properly - Wired How-To Wiki

Frantic here at the moment. Old job stuff to finish, new job stuff to think about, last week of the school holidays, conference abstract due tomorrow, and going to Dunedin early tomorrow for the bioethics conference (so packing now).

However, still time to note that Dark Horse are finally going to release their next Firefly/Serenity comic book mini-series. Excellent, I can’t wait. See Dark Horse Comics > Profile > Serenity: Better Days #1 (of 3).

I enjoy seeing the different ways that libraries use to promote reading - the recent NZ libraries ‘Inspire me!’ campaign using some well-known faces is a good example.

Here’s one from the American Library Association that uses Alex Ross comic book watercolor artwork (and a couple of others) to promote reading. See Comics Should Be Good! » Some Neat Posters

The Comics Show DVD

The Comics Show, which was a really enjoyable and informative documentary on the history of New Zealand comics is now available on DVD. More details at: Dylan’s Blog - The Comics Show - DVD now out!.

Related link: Greenflame · The Comics Show - documentary on NZ comics.

On the way to work yesterday say a handmade/handwritten sign on the side of the road for the next ‘Underpants on the Outside’ event. Apparently it’s a “comic book and sci-fi swap meet of anything that you would find in a comic store, this includes recent and back issue comics, sci-fi memorabilia, figurines & collectibles and more.”

I have no idea what it’s like but might head along on Saturday and have a look.

UNDERPANTS ON THE OUTSIDE!!!!!
DECEMBER 1ST, Grey Lynn Library Hall!!
474 Great North Road.
9.30am - 2.30pm.

Link to organiser’s MySpace page here.

I have a real soft spot for Dan Dare (along with the old black and white Buck Rogers and Flash Gordon TV programmes). When I was a boy I remember my Dad finding some old Eagle annuals from somewhere and introducing us to the Dan Dare he grew up with in the UK. And then later I followed, for a while, the rebooted Dan Dare in the early 2000AD.

Now the quintessential British hero is getting year another reboot in a seven issue series. Looks good, though I’ll wait for the trade paperback before buying it. It’ll be interesting to see how the values of the 21st century get worked into the 1950s landscape Dare exists within.

More details on the release here at DAN DARE #1 - NEWSARAMA (with some sample pages).

Official release information at Virgin Comics brings back DAN DARE: PILOT OF THE FUTURE with GARTH ENNIS « Virgin Comics Blog

Reviews of the first issue here at Sunday Slugfest - Dan Dare #1 (of 7) Review - Silver Bullet Comics.

One of the reviewers asks some good questions about these sorts of reboots:

  1. Why don’t the revivals meet with greater commercial success? After all, they were huge successes when they first appeared.
  2. Since they keep failing to become contemporary commercial successes, why do people keep bringing these characters out of mothballs?

Most of the revivals (thinking of Flash Gordon, Tarzan and Buck Rogers here) fall flat, even with reshaping to new cultural conditions, though some, like the rebooted Doctor Who and Battlestar Galactica series seem to get it right. Something to think about.

A new comic book on the religion in comic books radar, Some New Kind Of Slaughter, or Lost In The Flood (And How We Found Home Again): Diluvian Myths From Around The World from Archaia Studios Press, which juxtaposes several ancient flood stories (e.g Noah, Atrahasis) with contemporary narratives of global warming and rising sea levels. Will be keeping an eye out for it.

There are some sample pages over at SOME NEW KIND OF SLAUGHTER #1 - NEWSARAMA

Greenlantern3 50X50Looks like Warner Bros. might actually be getting a Green Lantern movie off the ground at some point in the near future. See E! News - Warners Rings Up Green Lantern.

You always want to see your favourite superhero on the big screen, but you know that to appeal to more than just the fanboys and fangirls they’ll have to be some liberties taken with the characterisation and mythos. (Tries to forget paying money to see Judge Dredd). Still, Batman Begins and the first Spider-Man movie captured the spirit of the characters, which leads to some hope that given a good script they might pull it off. The question will remain though as to whether they can capture the big space opera landscape that is GL, where team work is critical amongst GLs, or whether they make it a more Earth-based story. Personally, I’d like to see a galactic western-style take on the GL characters.

Related links:

And if you have no idea about Green Lantern:

MangamessiahTyndale have produced a new graphical Bible version entitled Manga Messiah, joining the growing throng of different graphical representations of all or part of the Bible. This time the art is Japanese, though it is colourised and includes more text than would be usual in more authentic manga. And it’s focused on the Gospels, with other parts of the Bible to be produced at later dates (I think).

There’s a review of it over at Manga Life - Manga Messiah Review, which concludes that its target audience is not clearly enough defined. At some point I’ll try and track down a copy, but from the sample art in the review I think “The Manga Bible” appeals more.

Related links:

Greenflame · In the post - The Manga Bible
Greenflame · The Bible - Graphic interpretations

Auckland City Libraries: A comics evening at the library on Friday October 19. Looks like a good selection of people and presentations.

Hat tip to Comics Fest at the Auckland City Library - Dylan’s blog.

If you’re interested in the history of New Zealand comics then tune into TV One Sunday night (2 Sep) at 10:40pm for the broadcast of The Comics Show - documentary by Point of View Productions.

Hat tip to New Zealand comics on TV - Dylan’s blog

Related link: Artsville | TV ONE PROGRAMMES | TV ONE | tvnz.co.nz

A couple of blogs that explore science fiction and popular culture from a religious perspective that I’ve come across recently.

Another comic to add to the religion and spirituality in comics collection. The Rabbi’s Cat is a comic from French creator Joann Sfar that engages in discussions about theology, philosophy and love from the perspective of, strangely enough, a rabbi’s cat whose acquired the power to speak.

See Pantheon Graphic Novels: The Rabbi’s Cat.

Related links:

Lantern links

Greenlantern3 50X50A couple for recent Green Lantern links for all you fanboys and girls out there:

Firstly, a (mini) colloquium on Media and Religious Authority on Tuesday, which included some of the Virtual Theology colloquium participants from a while back, along with Heidi Campbell. A good time to catch up with people, to meet Heidi in person for the first time, and to start to thrash out some ideas I’m interested in relating to various dimensions of religious authority in comic book and graphic novel genres.

More about it at:

Then Friday and Saturday I participated in the Metanexus/Tyndale-Carey sponsored conference New Perspectives in Science and Theology. Heidi (The Technologized Other: Considering the Posthuman and Prophetic Technorealism) and I (Image-bearing cyborgs?) were the opening speakers on Friday, and I got some good questions and comments after my talk (and over the weekend) that will help to shape a few areas that need tighter definition and reflection. And gave me some ideas for at least one other paper to write.

And that’s what I like about presenting at things like the two events this week. It gives you a chance to start a conversation about your work, and to make connections to other work that you haven’t made before. Doesn’t always make answering the questions being asked any easier though :-)

A related link as I toss around some ideas about comic books, graphic novels and religious authority. See Bird, Plane or SuperMensch? Jews and Superheroes Share a Rich History on Wired’s site which interviews Danny Fingeroth, author of “Superman on the Couch: What Superheroes Really Tell Us About Ourselves and Our Society” and “Disguised As Clark Kent: Jews, Comics, And the Creation of the Superhero”.

A list of 74 Comic Book Adaptation Movies since 1978 rated by box office takings.

How many of you knew that movies like “Road to Perdition” started off as comic books?

Books on the go at the moment.

Writing at the Edge of the Universe
Published by Canterbury University Press (2003), it’s a collection of essays, interviews, reflections and talks from the ‘Creative Writing in New Zealand’ Conference. Covers everything from politics, young adults fiction, comics, hypertext, and definitions of ‘cultural’ within the NZ writing scene. Something to dip into every now and then.
Spin Control by Chris Moriarty
A mix of technology, religion and politics set in a posthuman future. Has a short bibliography of material relating to emergence, transhumanism, and social evolutionism. Oh, and lots of stuff about ants. If only my thesis read as well.
The Worthing Saga by Orson Scott Card
Finally got around to reading this collection of Card’s older science fiction material. Some interesting material relating to theodicy, suffering, pain, human perseverance, and free will, together with other observations about the technological quest for immortality.
For Everyone Concerned by Damien Wilkins (2007)
The most recent collection of short works by Wilkins, much of which is set in Wellington. I grabbed the library’s copy and found it a mixed bag (as with most collections like this). I loved the short story “Reunion” set in Wellington Library though.

Writing At Edge Sm9780553382143WorthingsagaFor Everyone Concerned

MangabibleReceived a copy of The Manga Bible - Raw in the post this week via Conrad.

The artwork falls within animé genre, though with Western influences - think Ghost in the Shell imagery, rather than the large-eyed young girl and boy Pokémon style - and is particularly effective, I think, in conveying both the humanity and divinity of Christ. Elements of it reminded me of the various different Star Wars comics from Dark Horse (e.g. Star Wars Clone Wars anime stuff ). You can download some sample spreads from The Manga Bible web site download area to get an idea of the style.

The (relatively) brief volume covers a considered sampling of the New Testament - some Gospel accounts, bits from the Book of Acts, Revelation and parts of the Epistles. I found the latter particularly engaging. Taking the biographical, narrative and apocalyptic accounts of the NT and turning them into sequential art would seem to me to be easier than translating the various letters. But the bits from the Roman, Corinithian and Galatian correspondence are good, bringing the historical context of their writing and human figures into play with the issues being dealt with.

In an interview at the end of the book that artist, Siku, comments, “I don’t just see God as a shining light thing. I also see him as a dark, brooding force. I’ve tried to inject that into how I see Jesus.” Very much there is a sense (apophatic even) that God here is far more powerful and unknowable that the brief glimpse we get in the Jesus of the gospels - that for finite human beings, the infinite God is also totally other from us, as well as human flesh and blood in Jesus.

You can listen to the interview here and download the PDF of it here.

As I’ve mentioned before, it won’t be everyone’s cup of tea, but my 9 and 11-year old sons expressed an interest in it, which may indicate a demographic that it would connect with. (There’s a set of youth group studies that uses TMB here.) I’ll pass my copy around to different people to see what reactions it gets. On the whole though, I’m impressed with it (in spite of not really being a real manga enthusiast). I’m looking forward to the Old Testament edition coming out soon.

Related links:

Greenflame · The Bible - Graphic interpretations

Superman beware, kryptonite is real - Natural History Museum.

Listening yesterday to the Thursday arts slot with Lynne Freeman on Radio New Zealand National : Afternoons : Thu, 28 June and they had an interview with Johnny Angel, a graphic artist and writer creating a superhero comic series based around Polynesian characters. (Audio here for the next 6 days or so).

Sounded like an interesting contextualization project, and I’ll be looking in the library to see if they’ve got any copies of the graphic novels. If that fail,s then the university bookshop claims to be carrying it.

More about the project at The Aucklander News: Superhero bursts into life and TV3 have a video clip about it here.

Related links to other NZ comics:

ChurchpubArtistic interpretation of the Bible and its contents is as old as the stories themselves. From decorations in places of worship, to imaginative storytelling, through to icons, paintings, flannelgraphs(!) and sculpture, artists have sought to bring their interpretation of the stories to life. And recently, there’s been an increased production of related-material in the comic book/graphic novel format - from both religious and secular content creators.

This week I managed to get my hands on the public library’s copy of Marked!, Steve Ross’ contemporary graphic interpretation of the Gospel of Mark. (BTW - Public libraries want you to recommend books for them to get. If they don’t have a book and you can give them the details they’ll normally buy a copy for the library.) I enjoyed it, and thought the reframing of the story within the context of a contemporary occupation by a Western superpower - both physically, ideologically and economically - would allow the book to open doors to discussion with an audience not served by other ways in which the gospels may be communicated.

BookcoverextremeThat said, it’s not everyone’s cup of tea. The graphic novel genre doesn’t work for many people, and the artistic rendering of the story (and the spin it’s given) might clash, or at least hinder, those who prefer the text to provide a world that they fill in the details of in their own minds. You can read an interview with Steve Ross about Marked! at Emergent UK Media Arts: Interview with Steve Ross.

The other day I saw a copy of The Manga Bible in the front window of one of NZ’s major book chains in town. It’d be interesting to compare the intent of the different authors and their styles. I’ll see if the library can get a copy in. (All graphic novels end up in the young adults section though - in spite of content - which says something about how the library here sees them).

Related links:

Greenflame · The Lone and Level Sands and Greenflame · Middle Eastern video games and comic books on various recent religion-related stories told using comics.

Greenflame · Society of Biblical Literature and comics on (theological) academic engagement, Greenflame · God, superheroes and the graphic novel genre.

The range of Christian/religious use of comics is huge too. Some other examples include:

The links in the list above are presented ‘as is’ and are given as examples of the genre, not as recommendations per se.

Tom Russell over at Monitor Duty (the comic book and geek culture web site) details what he calls the The Arthur Effect. This is where an intellectual property, such as a fictional character, has its distinctive characteristics smoothed out under the (invisible) pressure to make it more accessible (and marketable).

All the discussion of about Spider-Man and the shift from the Lee-Ditko Spider-Man to the Romita Spider-Man could equally be applied to the Jesus of the gospels, and the progression to a more palatable (and less disturbing) “Buddy Christ”.

SHOOTER & WOHL ON SEVEN - NEWSARAMA have an article on a new comic book ‘Seven’ which connects the superhero genre with the spiritual themes from Kabbalistic literature.

Another comic to add to the religion and spirituality in comics file.

Spare change

A movie promotion falls foul of the US Mint. See US MINT NOT HAPPY WITH SILVER SURFER QUARTERS - NEWSARAMA. I guess, they get the media presence they were after one way or the other.

Adv312NEWSARAMA.COM: JUSTICE SOCIETY OF AMERICA #6 PREVIEW has some sample pages from an upcoming issue of the Justice Society crossover with the Justice League and the Legion of Super Heroes. The first three sample pages refer to an old issue of the Legion of Super Heroes I owned when I was about 6 or 7. Funny how little things like this bring a rush of childhood memories flooding back.

Contract God Cv 300Contractwithgod Old Cv 300Finally picked up a copy of Will Eisner’s A Contract With God today from the public library where I’ve been swotting for the thesis defence. Looking forward to reading it sometime next week, as it’s held as a classic in the history of comic books. (More at A Contract with God - Wikipedia, the free encyclopedia)

This semi-autobiographical work captures with pen and ink the drama of the city and its all-too-human inhabitants. Set in the same Bronx neighborhood as later works Dropsie Avenue and A Life Force, the four stories that comprise the book — “A Contract With God”, “The Street Singer”, “The Super” and “Cookalein” — examine the world of immigrant life in New York City in the 1930s with a unique look at the emotion and character of its denizens

6900 180X270And, though I’m on a comic buying ban at the moment, I’m sorely tempted to go into town and track down issues of ACTION COMICS #848 (Redemption - Pt.1) and #849 (Redemption - Pt.2). What if the baby Superman had been raised by fundamentalist Christians or a cult? The premise looks intriguing as both the depowered Clark Kent and the re-powered Superman investigate such a situation.

6931 180X270
Reviews here that make me want to add them to my collection of comics that contain religious themes.

Lore Sjöberg over at Wired investigates the plethora of toys designed to turn you into your ‘friendly neighborhood Spider-Man’ as the movie tie-ins ramp up their presence.

  1. Caught Up in an Ugly Web of Cheesy Spider-Man Marketing
  2. Still Caught in an Ugly Web of Spidey Marketing

All the new Spidey stuff has taken up the shelf space of other actions figures in the toy aisles. I saw a big bin of DC Justice League Unlimited toys heavily discounted the other day but managed to avoid the wrath of Kim by restraining myself. Still I’d like to get the GL set sometime soon to add to the figures on top of the monitor. (Would also like to get the other 6“ B5 figures (and Firefly ones) to go with the Sheridan figure in the office too.)

Mattel Justice League Unlimited 3-Pack Green Lantern Kilowog Tomar ReDcfigures

Oh well, let’s get a job first that pays me to ‘research’ pop-culture.

This re-release of the comic book that tells the story of Giuseppe Desa, a 17th century monk from Copertino in Italy, who could levitate and perform other miraculous acts, via the grace of God, looks like it would make an interesting addition to my small but growing collection of comic books with religious themes.

See THE FLYING FRIAR RETURNS - IN COLOR - NEWSARAMA

Darren’s put together a study guide for youth groups based around the new Spider-Man movie over at planet telex » Spiderman 3 Discussion Guide. (We still await the forthcoming Serenity one)

Links to a two-part post on the creation of immersive story worlds that span soaps, wrestling, and superhero comics. Interestingly, another post on the blog connects the worlds of soaps with comic books more explicitly using the example of DC’s recent 52 and Marvel’s Civil War. Not too surprising really, given that Star Trek and Firefly are probably better classified as ‘space opera‘ rather than hard science fiction. People watch as much for the interplay of the characters as for the speculative devices.

See:

Related link: Greenflame » Dylan Horrocks on comics, games and world-building.

If you’re a comics fanboy or fangirl then this is quite amusing. (Even if you’re a DC fan like me)

Marvel, DC “I’m a Mac” Parody

Fairly true, though I think (if we ignore the recent ‘The Batman’ animated series) that the DC/Warner animated Justice League, Batman and Superman series worked pretty well on the small screen. And the Teen Titans theme song is a favourite to sing along to in the car with the kids.

I watched Spider-Man 2 the other day in preparation for going to see the new Spider-Man movie at some point. Both Spider-Man 1 & 2 capture, I think, the tragedy inherent in the character of Peter Parker/Spider-Man that is in the comic books. None of the boosterism of Superman, nor the darkness of a Batman seeking to make sure no child loses his parents like he did. Just trying to live with the guilt of not doing good when one could have, and having no choice about being who he is, and entangled with who he is. An everyman in other words. All the other Marvel movies didn’t get it quite right, but S-M 1 & 2 did, I think. Which doesn’t bode well for S-M 3. Could this be Schumacher’s “Batman and Robin” to Burton’s “Batman”?

There’s more on comic book movies as morality plays lurking in the Greenflame Comics archives, I think.

I think the Flash, Green Lantern and Justice League movies could be done well, but I’m not convinced they would be (See here for a JL movie that didn’t work). I’d really like to see a GL movie set in space (not here on Earth), maybe in the manner of a Western where the marshall/ranger is sent in to do a job (with associates like Texas Rangers?). More humanity, perhaps, and less of the Earth (except to bracket the start and end). The weaknesses inherent in the GL ring would allow that in the character development.

AntiglComic buying is temporarily on hold at the moment, but that isn’t stopping me from paying attention to the developing story of the Sinestro Corps within the DC Universe. Finally, the villain Sinestro seems to have moved from an almost comic (pardon the pun) character to one who is deadly serious. It was hinted at in the Green Lantern: Rebirth series and now it seems like more depth will be added to the character. Way back in Emerald Dawn II (early 90s) Sinestro was portrayed as a control-freak who imposed (his) order upon the world in clear cut, black and white categories - a fundamentalist almost in some ways. Now, we get to see where being thwarted in that goal takes him.

Newsarama has an interview here about the upcoming mini-series: TAPPING IN TO EVIL: ETHAN VAN SCIVER ON SINESTRO CORPS - NEWSARAMA.

My only quibble with the interview is that it does seem to ignore the fact that something similar was done way back in March 1982 with the creation of the Anti-Green Lantern Corps (see picture). On the other hand, the new attempt at a dark mirror to the GL Corps looks far less cheesy than that.

Sounds of Batman

Link off Monitor Duty: Lileks on Batman to an old (2005!) podcast about the evolution of Batman theme music. I still find it amusing that the 1960s Batman theme music is still chanted in the school playground by my children, even though none of them have seen the original TV show. (All that might change though now Prime is showing it after their Sunday morning Star Trek sessions.)

Anyway, I’m partial to Danny Elfman’s themes from Tim Burton’s Batman and Batman Returns (the Schumacher sequels have been surgically erased from my memory because they were so bad - see here) , the animated Batman series, and the The Flash - Must be all that brass in it. Though I also loved the theme from Batman Begins. (And did you know that Wikipedia has a Batman Music category? Cool.)

Curses!

Just saw the Call for Papers (closed) for “World Building: Seriality and History” conference on comics held by the University of Florida. Nice to see Kiwi, Dylan Horrocks (Hicksville) as a keynote speaker. Now I know the conference exists then I’ll be on the lookout for other CFPs from them. Hopefully by then I’ll also be financial enough to get there.

Related links: Greenflame: Dylan Horrocks on comics, games and world-building.

Time Magazine’s Top 10 graphic novels of 2006 - TIME 25 Top Ten 2006

Locus’ lists for 2006 - Locus Online: Locus Magazine’s Recommended Reading: 2006:

AKMA (AKMA’s Random Thoughts - Convergence) points to a couple of articles in SBL Forum that begin to take the genre of comics as serious fodder for theological engagement. As he points out though, the engagement is fairly cursory and doesn’t really begin to scratch questions about why religious motifs and symbols appear in comic books (and in the case of these articles, superhero comics only). See:

For example, Tooze’s article refers to Kevin Smith’s Daredevil story, Guardian Devil, as an example of the use of Catholic symbology and apocalyptic texts. But that’s as far as it tends to go. What would make a really good article, I think, would be to examine how Christian (and other) eschatologies form part of the common universes that comic book stories inhabit. Matt Murdock’s (Daredevil) Catholic background forms a continuing theme through his stories and that in itself might be worthy of investigation of how different writers and artists have portrayed it. Moreover, DC Comics’ universe (which filters over into Vertigo as well) tends to function with a much more explicit religious background, while Marvel tends not to (at least in my reading of both publishers). Why is this, and how does it shape how religion is portrayed by these two major publishers?

This is all in my mind at the moment as I’ve just reread Waid and Ross’ excellent Kingdom Come, where themes of judgement, redemption, justice, power, tragedy, human and superhuman nature are told through eyes of the Spectre and a pastor, set in an explicitly apocalyptic framework.

Articles like the above ones tend to focus upon the spandex-clad superhero sub-genre of comics. What would also be interesting would be to look at the breadth of the genre and how it engages with religion. For example, how do we think theologically about the creative act of sub-creation present in building these graphical worlds? (See Greenflame: Dylan Horrocks on comics, games and world-building).

And what about the spirituality in things like Will Eisner’s A Contract with God, Neil Gaiman’s Sandman, J. Michael Stracinzki’s Midnight Nation, and Douglas Rushkoff’s Testament. Now, I’m not necessarily agreeing with the portrayal of the spiritual in these comics, but theological engagement with such rich sources should go beyond just pointing out that religion and its symbols appear in comic books and graphic novels.

More thoughts on some of these things in the comics category - Greenflame (Comics).

Batfish!

A new type of fish with a Batman-like marking on its tail is named after the Caped Crusader. Cool. See New fish is named after Batman | Practical Fishkeeping magazine.

Dropped by my comic shop today to collect a couple of Christmas presents I’d ordered through them (games, in this case). Reminded me about the way they organize their customer files. If you have subscriptions for comics etc. with them you have your own folder in the filing cabinet behind the counter. The folders are organized by first name, and then surname. So, within a short time they remember your first name when you come into the shop, adding an extra dimension of hospitality to their service.

It’s only a small thing, but it makes you feel that you personally, and your custom, are welcome.

It’s like the church we joined when we moved towns once. I visited one church (among several), filled out the ‘visitors card’, and had a very brief chat with someone who approached me. Then, later on that week the church found someone in the congregation who worked in a related field to phone up to see how we were settling in and to see if we needed help with anything. The fact that they a) bothered to get back in touch, b) had remembered who I was from the brief conversation, and c) found someone to contact me with whom I had a vocational connection, made me feel like they had something good to share.

Morality in GL?

Later on this week I’ll hopefully have time to pop into town and pick up the next issue of Ion from the comic shop. And it’s nice to find someone else who has been pondering some of the the plot lines relating to what exactly morality is the Green Lantern Corps, particularly in terms of who defines what “good” and “evil” are in the GL oath. The old O’Neil/Adams issue #76 (April 1970) with it’s oft-cited three panels here started one discussion of what exactly “good” and “evil” were in GL. I’m hoping for another.

With the “Revenge of the Green Lanterns” story arc coming to a close last month, current Green Lantern writer Geoff Johns gave this recent interview over at Newsarama.com: GEOFF JOHNS - GREEN LANTERN, OA, PRIME, & MORE - NEWSARAMA.

Now, I liked the story arc, and on the whole I’ve enjoyed Hal Jordan’s return, the ongoing development of Kyle Rayner’s character over in Ion (Ion #6 Review - Silver Bullet Comics), and the new Green Lantern Corps series (which is in comic relief mode at the moment). The idea that Jordan gets some space to work out some sort of redemption for his past atrocities (even if they were technically not his fault) is good - though I think the run of Jordan as Spectre did it better. And I even liked them bringing Arisia back (even if the retcon wasn’t great). But Arisia’s costume was not great (an understatement).

One of the things that appeals to me about the concept of the comic book Green Lantern Corps is that the defining characteristic of a Lantern is that they can overcome fear, are strong willed, and have a firm moral centre (of sorts). Gender doesn’t come into it. Age doesn’t come into it. Body-shape doesn’t come into it. Species doesn’t come into it (they’re an inter-galactic organization, after all). To paraphrase Paul, “There is neither human nor alien, animal nor plant, male nor female, for you are all one in the Corps.”

Which means, by implication, that the characters in the stories shouldn’t looked like the epitomes of Western ideals of beauty and sex sprayed with latex. Rather, they should look and dress like everyday persons (allowing for the alieness of that). If they can have Mogo, Gnort and Jack T. Chance (not to mention Alan Scott - yes, I know he’s not in the Corp technically) then they should be able to have an Arisia or Jade (who are/were strong-willed, intelligent female characters) able to be portrayed differently. I guess it wouldn’t sell as well though.

Anyway, Karen Healey, over at Girls Read Comics (And They’re Pissed). Karen Healey: Snarkier Than The Collected Works Of Lewis Carroll - Post Hoc Something, Ergo Whatever takes this up. (Warning - profanities abound) [Hat tip to Matt at Problem Attic — #20 / 2006-09-28]

Here’s something I hadn’t considered. Taking the 9/11 Commission’s report and reworking it in a comicbook/graphic form to make it accessible for a different audience. See The 9/11 Report - Graphic Adaptation by Sid Jacobson and Ernie Colón.

Just listened to the podcast of this weeks “The Spirit of Things” from ABC in Australia.

The Spirit of Things - 20 August 2006  - Virgins, Vampires & Superheroes

Popular spirituality is not a new phenomenon, but the media, cinema and the internet have conspired to make it more diverse than ever before. Miraculous sightings of the Virgin Mary have generated recent cult followings in Australia. And the darkly erotic mythology of vampires and hyper-real superheroes like Superman and Luke Skywalker are attracting young women and men in growing numbers.

Each of the topics could have had an entire programme dedicated to them, though I especially liked the last interview with Adam Possamai on links between spirituality and superheroes. Wouldn’t agree with his definition of superheroes (it would exclude someone like Batman), and the notion that their powers are totally secular (what about Dr. Fate or Wonder Woman?), but on the whole I enjoyed the interview. Nice to see someone working in that area.

BTW - It’s a shame they couldn’t think of a third noun beginning with “V” to keep the alliteration going, but the title should boost their hit rate in the search engines.

Joff alerts me (via email) to the news that JMS will be coming to the Auckland Armageddon in October. See pulpexpo.com - Joe Straczynski - Film and Comic Writer. (Curses! The link disappeared over the weekend)

Related links:
Joff’s experiences of the Wellington expo.
Greenflame: Post-Armageddon.

2002 article - Wired News: Of PowerPoint and Pointlessness on Powerpoint in schools. Via slacktivist: PowerPoint sucks.

Undeniable Facts: Undeniable Friday- a fact a day - Levitating screw.

What with the various Crises in the DC Comics universe(s) in the past 20 years or so, it’s pretty hard to figure out what’s what with all the retconning. (See Crisis on Infinite Earths, Identity Crisis, Infinite Crisis, plus Zero Hour and other bizarreness.)

Post Infinite Crisis DC Comics produced a serialized (new) history of the universe to bring everyone back to speed. It’s not gripping, nor exhaustive, but might just make everything a little clearer (especially when you’re trying to figure out just which Superboy, Hawkman or Flash is being talked about.

See DAILY PLANET 52 WEEK SPECIAL: History of the DC Universe (Part 1). Should be 10 parts when all done, I think.

John Paul II in comics

Papercutz, more well known for their comic book versions of Nancy Drew and the Hardy Boys, have release a biographical graphic novel of Pope John Paul II. See John Paul II - in comics!.

A different slant from the Homopater comic (and the very bizarre Battle Pope comic).

The Rules

According To Me: The Rules has a bit of a rant about the importance of paying attention to the rules and background that belong to this history of comic book characters.

Good stuff.

Heroes

Via Tensegrities a link through to Confessions of an Aca/Fan: The Official Weblog of Henry Jenkins: Sneak Preview: NBC’s Heroes. Contains a good overview of what the new TV series “Heroes” looks like (having seen the pilot). He argues it’s in the style of a Vertigo or Image style comic - darker and with more human interest stories.

The trailer for the series can be seen here: NBC.com > Heroes

Not holding my breath for it arriving in NZ any time soon.

Hi ho, Silver, away!

The Lone Ranger gets a makeover in a new comic book series produced by Dynamite Entertainment. It’s being co-written by Brett Matthews who wrote for Firefly and worked on the Serenity comic book. See Dynamite Entertainment! - Lone Ranger #1 for some brief details and some page images, and NEWSARAMA.COM: BRETT MATTHEWS TALKS THE LONE RANGER for an interview.

I figure they’ll probably do the character justice. A while back I picked up the first issue of Dynamite’s Battlestar Galactica series and it had the same feel as the new TV series. (Random trivia - the writer of the BSG comic is Greg Pak - who directed the quite interesting series of short films using robots to explore the human condition. I’ve got the DVD and it’s worthwhile having a look at - just don’t expect a Terminator style movie. See Robot Stories.)

Not satisfied with just watching the films of their favourite superheroes some fans set about making their own fan films and trailers for the films they’d like to see. Three good examples are:

TheForce.Net | World’s Finest - Superman/Batman team up.
TheForce.Net | Grayson - Robin seeks justice for the death of the Dark Knight.
Collora Studios: Batman - Dead End - the Dark Knight meets more than even he can handle?

A couple of reflections from the latest Superman movie.

Darren’s finished off his study guide for the movie and posted it over at Digital Orthodoxy - Superman Returns.

And Dave Zimmerman ponders his sympathy for Lex Luthor at Strangely Dim: Sympathy for the Bad Guy.

Heidi Campbell’s new blog, When Religion Meets New Media, has a link to this article Muslims craft their own video games | csmonitor.com. Looks like an interesting game. I wonder if it’ll be available here in NZ?

Related to this is the development of Middle Eastern comic books. At this point they follow American formats reasonably closely, but open up the possibility of developing their own style more close related to local themes. See Silver Bullet Comics: Special AK: AK Comics and Heroes of the Middle East and AK COMICS Inc.

Marvel comics have a venture in the Middle East too, though Teshkeel Comics.

Selection of articles on spirituality and religion in comic books.

At the comics shop, religion goes graphic - MORE NEWS AND FEATURES - MSNBC.com.

Sequential Tart: Tart To Heart (vol VI/iss 12/December 2003) : Spirituality In Comics.

Discussion spawned by X-Men: God Loves, Man Kills at Religion in God Loves, Man Kills - Captain Comics Round Table.

I read a lot. For pleasure and work. But it’s not the primary way I like to engage with ideas and stories. I prefer diagrams and other graphical representations to complement the written text. So today I was looking forward to swinging past my regular comics shop and picking up a copy of Action Philosophers Volume 1: Giant-Sized Thing. Philosophers (and theologians) in comic book form - cool.

Alas, they had sold out already and I have had to backorder a copy. Who said philosophy was unpopular?

Related links:

Interview with the creators over at Comic Book Resources - CBR News - The Comic Wire.

Action Philosophers! at Evil Twin Comics (with online samples).

And no, this does not mean that there’s a career out there for spandex-clad theologians. We’ll leave that to Bible Man (action figure here) and Dave Zimmerman.

Sometimes you just have to admire some people’s obsessions. Not only does it look good, but it feels right too. See The “Ultimate Thing” costume.

Looks like the new Serenity comic book series from Dark Horse will be called “Better Days”, and will be set before the Serenity movie. It will explore some of the unresolved plots from Firefly and will be written by Joss Whedon and Brett Matthews (who did the first series). Can’t wait.

Neil Gaiman and Adam Rogers write in Wired on The Myth of Superman

Superman is different because he doesn’t really belong to the writers who’ve created his adventures over the last 68-plus years. He has evolved into a folk hero, a fable, and the public feels like it has a stake in who Superman “really” is. Schwartz quit writing Superman because his bosses were telling him to put in things that he thought were out of character. That was admirable, but really, the specific stories we tell about Superman – the what-happened and what-he-did – don’t matter that much. Superman transcends plot. We retell his tales because we wish he were here, real, to keep us safe.

BTW - did you know that Gaiman wrote a one-off comic called “Legend of the Green Flame” (cover here) starring Superman and Green Lantern?

International Superheroes is a web site that aims to build up a database of information about various superhero characters from around the world that are often overlooked in a world dominated by the US-based DC and Marvel characters.

Dave Zimmerman ponders To Be or Not to Be Super? On the Creating and Curing of Mutants at Pop Thought. Using the upcoming X-Men III movie he wonders about what exactly normal is. Some connections with discussions about therapy vs. enhancement related to technology, and to other discussions about the nature of personal identity.

Not the science fiction movie based on Firefly but rather Serenity - America’s Premier Inspirational Manga a newish Christian comic book series.

Anyone know anything about it and if you can get it in NZ? I’ve seen some pretty awful Christian comic books in my time but maybe someone’s got the right end of the stick here.

Issue 3 was reviewed “secular” comic reviewers here: Serenity v3: Basket Case Review - Silver Bullet Comics.

Article here by The Minneapolis Star Tribune (I think) on the recent (international) free comic book day. It’s done as a comic itself and it’s not too bad. See TwinCities.com | 05/05/2006 | Saturday is free comic book day. I didn’t get to a shop on the day as I had to pick up my copy of Ion the day before (curses!), but hopefully next year I’ll be synchronised.

Green Lantern Game

Gl-Game-RingStumbled across this online Green Lantern game the other day at DC Kids. Sure it’s Kyle Rayner and not Hal Jordan. And he’s in his original outfit (not enough green and too much “metal”) but it’s the only online Green Lantern game that I know of.

See : DC Kids : Green Lantern Game.

A posting on possible future audiences for comic books (and the genre) at Wired 14.04: Posts: The Gamines Love Gaiman. Coincidentally this fits with the section I’m currently reading out of “Comic Book Culture: Fanboys and True Believers (Studies in Popular Culture)” (Matthew Pustz) which is on the bedside table.

Actually, I’m not just reading for interest. I have a couple of ideas about comic books as vehicles for exploring attitudes towards technology that would fit quite nicely in the introductory material in the thesis. Just searching for that elusive footnote to add support to my excursis.

The Sci Fi Channel is creating a reality TV show around a superhero that you design and portray. See SCIFI.COM | Who Wants To Be A Superhero?

The potential for spandex-clad inanity is mind-boggling.

A breakdown of religious adherence for comic book (mainly superhero) characters at Religion of Comic Book Characters (Religion | Comics). The links at the bottom of the page are interesting (in parts) too.

Hat tip to AKMA.

MiraclemanThe other day I was visiting the local clearance bookseller, where all manner of books end up, and saw a pile of “Miracleman: The Golden Years” by Neil Gaiman and Mark Buckingham. So I had to buy it. I grew up on British comics (including Starlord, Tornado and 2000AD, plus some old Eagle comics) but hadn’t read any recently, plus I like some of Gaiman’s stuff, so it seemed like the thing to do. An eclectic collection of stories looking at life in the new utopia (distopia?) enforced upon the world in the near future (with some transhumanist-type themes in places). Definitely different from the other comics I’d read recently and I may go off and find some more issues. (For those of you who are interested in the character its history makes interesting reading - see the link above).

CptsunshineIt got me thinking about other non-US comics I’d read as a kid, and I remembered that my brother had bought the first (and only) issue of “Captain Sunshine” - a NZ superhero comic. It even came with a cool sundial watch. I have dim recollections too of it being somehow promoted at our primary school but I can’t remember why - though there may have been an ecological thrust to the comic. (Colin Wilson, the artist, went on to do work for comics like 2000AD after it.) The internet being like it is there’s information here and I’m now looking for a copy of that first issue, hopefully with the Solar Watch or whatever it was called.

More information at Kiwi Comics: History Questions (scroll down for Captain Sunshine).

Comics and films

Neil Gaiman writes on the relationship between comics and films in Guardian Unlimited Film | Features | ‘$1m a minute to film? No problem’. As well he points to the similar, and in Gaiman’s opinion, much better article by Dominic Wells in It’s not always who draws wins - Saturday entertainment - Times Online. (On page 3 of the latter you’ll find a list of films made from comics including some you might not have known were originally comics.)

4584 400X600Loren posts some interesting thoughts on Douglas Rushkoff’s Testament comic book series over at Suspension of Disbelief: Gimme That Old Time Religion.

A while back I had to choose between heading into Old Testament studies or into (systematic) theology. I chose the latter, though the Old Testament intrigues me and I enjoy working with OT texts as part of my theological studies (though my Hebrew hasn’t had a good workout lately). So when I see a comic book that attempts to integrate an interpretation of Old Testament narrative with socio-political commentary and cyberpunk genre I’ll be first in line to buy a copy to see what it’s like. (Rushkoff’s motivation including his idea of the Bible as open-source can be found here.)

So having read the first three issues here’s some thoughts.

4774 400X600Rushkoff’s approach of taking three narratives and interweaving them is interesting. In each of the first three issues he takes a story from the Genesis narrative, adapts it, and juxtaposes it against a contemporary story set in an America in the not too distant future. So he takes the Abraham and Isaac story (Gen 22) in issue #1 and sets that against a US military complex that seeks the sacrifice of young persons in multiple “wars against terror”, and then in #2 he uses the stories of Sodom and Gomorrah (Gen 18-19) and Lot’s incest (Gen 19) in #3. Linking these ancient and contemporary narratives is the third narrative within a mostly spiritual dimension. Here the figures of Astarte and Moloch vie with agents of Abraham’s god, though the use of human agents in the narratives.

4914 400X600It’s a novel approach which works sometimes and other times doesn’t. Some people have found a lack of Ancient Near Eastern background a problem with understanding the deities and others have found that Rushkoff’s allegories are too heavy-handed. Personally, I thought #1 and #2 did it pretty well, but #3 didn’t work for me.

In order to do this Rushkoff has to play imaginatively with the biblical narratives - his method asserts the text is a fluid framework that we then interweave our own narratives and imagination into. So literary context falls victim (e.g. Gen 22 occurs before Gen 18-19) in places (see also Loren’s comments). But it does an almost Ignatian meditative approach in allowing figures in the narrative to ask questions of the text. So Abraham’s people ask why he goes to sacrifice his son if he follows this new god, and Lot’s wife asks why is it okay to save the visitor(s) to Sodom by “sacrificing” his daughters to the mob. Good questions that people might ask of the text. But the additional material linking Lot’s daughters to the cult of Astarte’s temple prostitution (#3) is not supported by the text - though necessary for Rushkoff’s contemporary narrative.

As well, the comic is definitely for adults - it has a “suggested for mature readers.” Any comic with that disclaimer, and has an active fertility goddess in it can expect nudity and sexual content, though the violence isn’t as overt as it could be. Various characters become associated with the different deities and so manifest behaviour associated with them.

So does it work? As a style I think it has merit, though I’m not sure Rushkoff can pull it off in the long term. Halfway through #3 I had decided I’d seen enough of the style to get the idea of how it was being used, but the narrative in #3 didn’t grab me. So I’ll file the three issues together in the comics file and look out for the TPB when it comes out. Maybe I’ll pick it up them. In the meantime I’ll be looking out for other comic material in a similar vein.

Official DC Comics information

Relevant articles and interviews

Blog postings

Useful Wikipedia articles

HicksvilleFinished reading Hicksville and loved it. Enjoyed the New Zealand themes entwined with the comic book themes. There’s several bits in it where Charles Heaphy, James Cook and Hone Heke continue their conversation about why the islands of Aotearoa-New Zealand seem to be physically drifting (read the book for more explanation), and there’s a strand to do with the maps we impose upon the land - from Heaphy’s surveying and painting, to Cook’s exploration through to Maori maps of words and stories. Heke remarks that sometimes we treat the land as a corpse, a dead thing, and that we’re surprised when our geography changes - both physically, and in some way, spiritually - as the land is actually not static. Resonated for me with Steve’s e~mergent kiwi: place, spirituality and mission.

Oh, and Horrock’s included a nice glossary at the end of the book to explain people, places and terms to the uninitiated. He quotes cartoonist Wally Wood who said,

working in comics is like sentencing yourself to a life at hard labour in solitary confinement. If I had to do it all over again, I wouldn’t do it…and yet, I’m not sorry for where I am.

That’s very close to how feel about the PhD at the moment.

Excellent little essay here by Dylan Horrocks, comic book artist and writer, who has been appointed the 2006 University of Auckland/Creative New Zealand Literary Fellow. In it he says,

We are used to thinking of Tolkien or Raymond Feist as writers who create imaginary worlds, but the same is also true of Elizabeth Knox, Barbara Anderson or Maurice Gee. The worlds in which their stories take place each have their own history, atmosphere, and sense of time. No matter how much it may resemble the “real world,” it is actually something else. This is neither good nor bad – it is simply an inescapable fact. Every time a writer tells a story, they also create a world.

and

In comics, even the laws of physics are side effects of the cartoonist’s ‘way of drawing’ – the way clothes drape across a body, the way shadows fall and water flows. In this sense, the cartoonist is a kind of God, creating a whole universe in their own image.

Horrocks goes on to look at this idea of world-building or sub-creating with the genres of comics, role-playing games and electronic gaming (incl. online gaming). Some interesting parallels with some of the stuff I’ve been reading about virtual reality and the metaphysical quests of technologists.

The essay can be found on Horrocks’ web site at THE PERFECT PLANET: Comics, Games and World-Building.

There was also an interview with him last Saturday morning on Radio New Zealand - Saturday, 18 February. (Link active for at least the next week)

I heard about Horrocks’ comic book Hicksville a while back but had never gotten around to reading it. Today I picked it up from the library so I’ll be thumbing through it tonight.

LalscoverRetelling biblical stories from different perspectives seems to be flavour of the month at the moment in comics. Following on from Douglas Rushkoff’s Testament there is the retelling of the Exodus story from the point of view of Rameses II.

See Comics Should Be Good: This Comic Is Good - The Lone and Level Sands and ASP Online Lone and Level Sands Preview.

Also don’t forget Marked graphic novel - a gospel retelling in the contemporary world.

BTW - I’ve got the first two issues of Testament. After the third comes out I’ll see if I have time to write something on them.

suplogo_on.gifdigitalorthodoxy blog » When Hollywood Gets it Wrong… has some thoughts on the religious interpretation of Superman in the new movie.

See also the older posts here: Greenflame: Superblogging and Greenflame: Holy Warrior Nuns, Batman!

Interesting article over at Suspension of Disbelief on the portrayal of religion in comics. See Suspension of Disbelief: Guess Who’s Coming To Shabbos Dinner? (Spoiler: it’s Superman.)

Seems like the DC Comics character of the Spectre is on the minds of several people at the moment. Personally I never really knew about him until his path intersected that of Hal Jordan (the Silver Age Green Lantern). In the issues from around that time that I’ve read the character shifts from one who seeks to punish/exact vengeance to one who seeks redemption for others. At some point I’d like to get hold of a huge set of back issues and have a look at how he functions (theologically) in the DC universe (where the Spectre exists as the embodiment of the Wrath of God).

See Suspension of Disbelief: And the new Spectre is… and DigitalPriest.com: According To Me: Hal and Jesus.

More information on the character at Spectre (comics) - Wikipedia

Much of the Spectre’s modern character was defined by the theologically trained John Ostrander and he developed the distinction between the pursuit of vengeance and that of of revenge using the character. A distinction that resonates with how we encounter the concept of vengeance (naqam) (esp. God’s) in the Psalms.

Merry Christmas

Was going to write something about Green Lantern: Rebirth, superhero origin stories and the Incarnation but it’s late, I’m tired and it’s almost Christmas Day and I need to go to bed so I’ll start tomorrow well.

So have a good Christmas and all the best for the New Year.

P.S. If you do want to read something on superheroes and Christmas then flip over to Planet Telex: Christmas Letter 05.

I’ve got several ideas running around in my head for academic articles relating to religion and comic books. But I’ve never really figured out where I could send them, nor read other examples of how people engage with comics at an academic level. Until now.

ImageTexT: Interdisciplinary Comics Studies

The objective of ImageTexT is to advance the academic study of comic books, comic strips, and animated cartoons. Under the guidance of an editorial board of scholars from a variety of disciplines, ImageTexT publishes solicited and peer-reviewed papers that investigate the material, historical, theoretical, and cultural implications of visual textuality. ImageTexT welcomes essays emphasizing (but not limited to) the aesthetics, cognition, production, reception, distribution and dissemination of comics and other media as they relate to comics, along with translations of previously existing research on comics as dimensions of visual culture. Exploring all periods and all countries, and deploying a wide range of disciplinary approaches, ImageTexT is designed to foster innovative discussions of the political and social implications of comics, to generate original formal aesthetic analyses of comics, and to broaden theoretical discussions of genre, period, narrative, and complex image/text relationships in comics and related media. ImageTexT will include reviews of current scholarship in the field, announcements regarding relevant conferences and upcoming publications, and links to other theoretical projects of interest to readers. ImageTexT will also provide currently unavailable English-language translations of seminal essays of comics theory. ImageTexT is listed in the MLA Bibliography, beginning summer 2005.

“Up, up and away!” so to speak.

There are songs that define the moment you’re in. You hear it on the radio and it takes you back to a certain time and place. For better or worse (probably worse) the current song that defines this moment (the end of 2005) is the Ookla the Mok song “Super Powers“.

You can download the MP3 from their web site here.

Listen to the song and test out your comic book “geek factor” by picking all the different superheroes referred to.

BTW, I came across the song because it was played during the trailer of the short film “Bite me, Fanboy“. I’d buy the DVD but it might be too autobiographical.

Post-Armageddon

Tripped into the city on Saturday to Armageddon and had an enjoyable half-day there. Avoided the long queue to get in by having prepaid for a ticket and spent a few hours looking around before heading to the panel with Mark Waid (Wikipedia). The bottom couple of levels of the Aotea Centre had things like Pro-wrestling and booths for computer/video gaming (mostly displays by Microsoft, Sony and EA) which wasn’t what I was interested in so I headed upstairs to where the comics and sci-fi stuff was.

Managed to restrict spending to a couple of DC trade paperbacks (including one of the Golden Age Green Lantern - Alan Scott) and a poster. (TVNZ had a spot on Close Up about setting the show up on Friday - Windows Media Player links 56K | 128K)

Anyway, I loved the panel with Mark Waid. There were only about 20-25 of us there so everyone got time to ask their questions and interact with him over the hour. Some really interesting questions asked and I made some notes of his replies to them. (I also got to ask a question about religion/spirituality and comic books that’s related to an article on eschatology and comics that’s rattling around inside my head at the moment.) Anyway here were some of the interesting things:

  • Comic book writing is ultimately a collaborative process between the writer(s), artist, letterer and others. At the end of the day the character(s) being portrayed and story being told should take precedence over the egos of the creative team. (Not that that always happens harmoniously).
  • Some interesting comments about how do you write comic books in a culture currently shaped by the “War of Terror”. Waid noted that the Superman slogan “Look! Up in the sky…” has taken on an element of fear post-9/11. Who is Superman in this world rather than the more optimistic worlds of the past?
  • Waid made time to listen to and answer the questions of the children and teenagers there. He didn’t ignore them or patronise them. There was also some discussion over whether the current superhero comic writing, while in a style for adolescents, could be considered as “appropriate” for children and young adults as it once was.
  • Waid argued that he thinks all comic book stories should have a moral voice. They are one of the few places left, he asserted, where you can learn morality (of a sort), consider issues of good and evil, and ethical action given the abdication of that in the wider media. This would fit with my earlier posting here Greenflame: On new morality plays.

Good stuff to think about with potential for religious/spiritual engagement.

BTW - There’s an RealAudio interview with Waid back in 2002 that covers some of this stuff.

They aim to misbehave

You can see the first 11 minutes of Serenity as an video stream here.

Dave Zimmerman over at Strangely Dim linked through to a podcast interview he did with Andy Rau over at Think Christian » Blog Archive » Holy podcasts, Batman! Talking about God and superheroes with Dave Zimmerman. It’s a fairly large MP3 (50+ Mb) but I found it interesting. Particularly the last 20-30 minutes where the interview moved toward more of a discussion of how the genre might intersect with things like teaching ethics.

Then having listened to the podcast I saw Jason had blogged jason clark: THE ANGEL IS A CLOWN: FIRST GRAPHIC NOVEL BASED ON A GOSPEL pointing to the Marked graphic novel. It’s the gospel of Mark retold using the graphic novel genre and from looking at a few of the sample pages looks like it’s addressing some of the things I raised back in Greenflame: Constantine and comics revisited and Greenflame: Holy Warrior Nuns, Batman!. For a starter it looks like it’s been done by someone who knows that the current target audience of the graphic novel is the 25-40 age range and writes accordingly. Also looks to have captured some of the contemporary political edge to the gospel that gets lost much of the time. Will try and get hold of a copy.

Zimmerman managed to get to be chaplain at the Wizard World Chicago comic book convention back in August (See Strangely Dim: Get Your Geek On). Hmmm, Armageddon Pulp Culture Expo is over Labour Weekend in Auckland. I’m sure the preaching roster could be rejigged so I could attend longer than the one day I’m hoping to get to. It’s be good to hear someone like Mark Waid talk.

Dropped by Suspension of Disbelief today after many months away and some how ended up at the following interview Time did recently with Neil Gaiman and Joss Whedon. Gaiman (who’s a Brit) had this interesting thing to say about writing scripts in the US aimed at family viewing,

But then, I get fascinated because, in America, it almost seems like family has become a code word for something that you can put a five-year-old in front of, go out for two hours, and come back secure in the knowledge that your child will not have been exposed to any ideas. I didn’t want to do that. I like the idea of family as something where a seven-year-old would see a film and get stuff out of it, and a fifteen-year-old would get something else out of it, and a 25-year-old would get a different thing out of it.

That’s something I’ve been thinking about recently as I’ve been watching things with my kids. I like material that treats my children seriously. Not that it doesn’t pitch things at their level but creatively introduces them to ideas and beginning critical reflection upon them. Like understanding and participating in narrative without someone spelling out for them what the moral is. Or letting them make connections between different things and stimulating them to follow up on things later on - drawing, reading, conversations, games etc.

Full interview at: TIME.com: Interview: Neil Gaiman and Joss Whedon.

BTW - Gaiman claims a readership of his blog of 1.2 million! No pressure.

Off to see the pre-release screening of Serenity tonight in town. After a day of cold, wet rain, hail and strong winds (& snow in Christchurch) it’s a nice way to end the day - especially as I’m going with a couple of other enthusiasts. Managed to get the first two of the comics that bridge the gap between TV and movie - was hoping the last would be in today in the reorder but no such luck. The comics capture the atmosphere of the show really well, as well as the style of dialogue.

The Ballad of Serenity (Firefly theme)

Take my love, take my land
Take me where I cannot stand
I don’t care, I’m still free
You can’t take the sky from me

Take me out to the black
Tell them I ain’t coming back
Burn the land and boil the sea
You can’t take the sky from me

There’s no place I can be
Since I found Serenity
But you can’t take the sky from me

(MP3 version available here)

Serenity-200

It’s Friday, which is normally my evening of space opera - Andromeda followed by Star Trek : Enterprise. But Andromeda finished last week leaving the total amount of space opera across all channels as Doctor Who and Enterprise. TVNZ seems to have dropped the ball on Stargate (Stargate on TVNZ) and I guess in NZ they figure that the science fiction genre has less mileage than yet another reality TV show.

Serenity-200

So I’m really looking forward to the arrival of the Firefly movie Serenity in the cinemas relatively soon (10 Nov in NZ - with an advanced screening 19th Sep in Auckland). Here’s a recent Wired article about how fan pressure in response to Firefly’s cancellation helped generate the movie - Wired 13.09: PLAY - Serenity Now! If you’re thinking about going to the film try and get hold of the DVD box set of Firefly and watch the 14 episodes in the order they’re in in the box (TV3 played them all in order too). Firefly had the potential to be really interesting - the right mix of humour and human drama, as well as being a vehicle to explore questions about the world. Dark Horse has produced a comic series that bridges the gap between the TV series and the movie though these might be scare in NZ.

Via Conrad Gempf’s blog I see that New Testament scholar Ben Witherington III has a blog. Not only that but but he’s blogging about the Fantastic 4! And Conrad Gempf posts a comment there about the one, true Green Lantern - Hal Jordan (though Alan Scott is also a favourite).

I enjoyed Witherington’s commentary “Conflict and Community in Corinth” (1995) when I was doing a NT Epistles paper a few years back. One of the few commentaries that was often not returned on time to the closed reserve desk because the student reading it was throughly engrossed in it!

Coincidentally, just finished re-reading “Green Lantern : The Road Back” last night, having seen it lurking in the library yesterday.

Comic book movies

Thwarted in my efforts to get to see “Batman Begins” this week. Instead I read several articles by David Zimmerman (Strangely Dim) on “Batman Begins” and the “Fantastic Four”. This week I hope to make it in to the cinema, though with the school holidays on my normal 10am morning slot where there’s only a handful of people in the cinema with me won’t be available.

Got a whole bunch (well, at least 2) ideas running around inside my head about the origin stories that occur in comic books, their significance for the development and understanding of characters and their possible function within the community of faith. While thinking about these I came across two interesting - and opposing - blog entries on them.

Sometime soon I hope to put my thoughts down when some measure of coherence emerges.

Saw this yesterday which made me smile: UserFriendly April 20, 2005. (I guess Star Wars comics/cartoons are back on the agenda for a while.)

Reminded me of this article from last year in the NZ Listener - Beer and fear by ear by Olivia Kember | New Zealand Listener. Loved the opening paragraph,

It must be the best – it might be the only – use of the New Zealand accent in a Hollywood blockbuster: “I’m just a simple man trying to make my way in the universe”, as delivered by Temuera Morrison’s Mandalorian bounty hunter Jango Fett in Star Wars 2: Attack of the Clones. Local audiences roared at Jake the Muss in space, but his Rotorua-bred tones sounded, among the fluent American of the rest of the Empire, unmistakably alien. Forget the special effects and the bucket on his head; the very intonation conjured up an origin far, far away.

Tim and I were talking yesterday about my comments to his post SansBlogue : Hell wants him. Heaven won’t take him. Earth needs him and I’ve decided to turn them into a post over here in response to that. Bear in mind my comments are more about the genre of comic books than the movie (which I have yet to go and see). Tim wrote,

It’s no wonder that the distributors thought a couple of free tickets should be thrown to the School of Theology… I was the theologian”, and my (still just) teenage son was the representative of the likely target audience. Well, the plot and script was based on the DC/Vertigo comic book Hellblazer so I assume teenage boys are the target

(Immediate response - how come Tim got the tickets!? More considered response follows.)
Read the rest of this entry »

Suspension of Disbelief : A Fact-Check for the Four-Color World is a group blog reality-checking comic stories. “Incredible stories in a realistic world” might be their slogan.

Thus, in the spirit of educating the public and the publishers, we here have created this group blog. We’ll complain when creators get the facts wrong, and congratulate when they get them right (and we expect there will be no shortage of the former). Some may call it nitpicking; we prefer to think of it as accuracy. It’s one thing to read about Gorilla Grodd kidnapping the President of the United States, but that same talking gorilla story suffers if the story has him abducting a supposed U.S. Prime Minister. Comics regularly expect us to believe the impossible. Making the real-world backdrop that they’re set against truly realistic makes those impossibilities easier to handle.

Maybe there’s a similar opportunity for a group blog for fact-checking sermons - I hate it when preachers assert things about the real world in order to create a world for their sermon point. There are incredible stories to be told but it’s better if they’re not set in fairyland.

From Comic Book Movies by David Hughes,

Why this sudden fascination with comic book heroes? Perhaps because so many directors and studio executives grew up (as I did) on Marvel and DC comics - an entire generation learned about morality, heroism and the difficult choices faced by heroes not from the classics, but from Spider-Man and The Hulk, with mythologies as potent and powerful as those of the gods of ancient times.

I’m thinking about metaphors to connect Christianity and technology - what stories and imagery do each use that might connect through novelty rather than a search for truth.

Superblogging

suplogo_on.gifBeing something of a comic book junkie (see: Greenflame: Holy Warrior Nuns, Batman!) I was interested to read this yesterday over at Jolly Blogger: Superman, Jesus Christ and Jim Caviezel.

Great posting with lots of links to interesting articles and sites linking in religious themes with comic book characters (mostly Superman).

I’ve been a comic-book junkie ever since I can remember. As a child I remember growing up reading and collecting various comics (both British and American). Every now and then I stop off at a comics shop and have a look around to see what’s being published now.

The July Sojourner’s magazine had an interesting article on the comic book format as a vehicle for telling spiritual stories, which of course pricked my curiosity. You can find the article at Holy Warrior Nuns, Batman!, Sojourners Magazine/July 2004. It was the final paragraph or two that struck me. In particular

What they add to the experience of their readers is the call to a life lived with at least one eye open to the possibility of an enchanted universe - a place where the spiritual world is alive, active, and intervening in the affairs of humanity. This intervention isn’t in the form of brightly costumed messiah surrogates who can leap tall buildings in a single bound, but in the lives of fairly ordinary human beings, imperfect and often conflicted in their motivations, who are struggling to find meaning in their lives beyond the dulling drone of the culture’s demands, the sudden storms of violence that threaten to overwhelm their worlds, and the limitations of life boxed in by not enough justice, not enough joy, and not enough hope.

Read the rest of this entry »

Henry Jenkins’s writing on the Matrix films talks of transmedia storytelling. The interweaving of cinema, home video/dvd, tv, the internet, video games and books to create narratives that go beyond a single, static portrayal. In fact, stories get added to by the individuals and communities that hear/watch them and then are spurred into creative response. In a consumerist sense he says,

In the ideal form of transmedia storytelling, each medium does what it does best–so that a story might be introduced in a film, expanded through television, novels, and comics, and its world might be explored and experienced through game play…. Reading across the media sustains a depth of experience that motivates more consumption…. Offering new levels of insight and experience refreshes the franchise and sustains consumer loyalty.

I found it interesting in that in effect a community hermeneutic is developed where internet communities comment on, adapt and critique the Matrix world in its various incarnations, developing their own interpretations and reinterpretations of the story.

It doesn’t seem new to me in the sense that people of faith have been doing this sort of thing ever since we could tell stories. However it may have some useful ideas for interacting with contemporary culture.

Technology Review: MIT’s Magazine of Innovation - Why the Matrix Matters